Among the problems that cordage can solve is the binding of some
collection of things into a unit; this can range from the holding intact
the end of a rope (to preclude its raveling (and its unraveling!)), the
joining of things to each other (a sort of cordage
stapling or
gluing),
and holding multiple items together and possibly to some other object.
Among the
binding knots presented in knots books are various
Miller's knots (bag closures) and the Strangle knot, as well as --since
Ashley publicized it-- the Constrictor knot. Among the tasks for which
such structures are put to work are whipping rope ends, seizing ropes
together, seizing (or lashing -- a terminology issue) rope to something
(of vice versa) or non-rope items to each other, securing netting to
headlines & groundlines, and holding together some collection of
objects (such as gardening debris --sticks, et cetera) together.
Some of the aspects of binding structures to be considered are:
1) ease of tying;
2) consumption of material (material efficiency);
3) security of the binding;
4) dependence upon the bound object for security in/after tying;
5) ease of loosening/untying;
6) provision of force amplification (mechanical advantage)
7) likelihood of impressing the neighbors ("new"ness)
What others (I might have run dry after a half dozen

) ?
In a recent thread in Practical Knots, a variation of a Clove Hitch was presented
as a means to move away from dependence upon the bound object(s)
for security -- the knot provided its own security, even if binding air.
I have seen the Constrictor presented for binding lumber together (i.e., some
squared material with four flat side surfaces), a task to which it is entirely
INappropriate -- but, no matter, a pretty picture was published in a knots book.
Attached is my revision of what Budworth has presented (citing some
Girl Guidesbook) as a "Pole hitch/lashing"; but that original lashing amounted to simply
a basis upon which a Reef knot was tied; it provided multiple wraps around
the bound items, but not a good way to hold the tension while tying.
This is what I sought to do in revision.
NB: the two-colored cords are for illustration purposes; they are bent together
behind the boards in the center wrap. -- essentially, a single cord (as is the orange one).
NB': Tensioning this structure puts more into the center wrap -- which as you
see is loaded from both sides -- than in the outer ones; one way to eliminate
this bias (vs. just living with it) is to make a full turn centrally, which takes more
material and effort.
I consider my revised binding a sort of *Paul Bunyan* structure, in that it
likely is costing more force per tension gained, contrary any apparent signs
of MA (mechanical advantage); but it pays off in locking in the gain (and
in impressing the neighbors!). It should be noted that if one tries pulling
the ends in the opposite-to-photographed directions, hoping for some
kind of cheap 2-to-1 MA, what will often happen is some slippage of the
wraps around the object(s) -- the knotted part will close more, but the
apparent gain will be illusory re tension increase. Note how the ends
are reeved through the nipping opposed-bights: this is done so as to
better keep the ends from sliding out of that nip, which they are otherwise
prone to do (and might yet try to do even so). To untie this tightened
structure, pull an end (one will do, as the lock is a joint effort) under
a bight leg to then force it out of the nip. (E.g., in the case at left,
with blue & yellow cords, take the blue end (this is NOT a "bitter" end;
in fact, it is quite happy) out leftwards beneath the left leg of the
lower bight of yellow cord, then pull sharply up towards the darker
boards.)
- - - - - - - - -
The opposed-bights locking mechanism can be employed in other ways,
and one way I found easier to implement (in fine monofilament fishline
to bind closed a deteriorating plastic car key-&-mini-light housing) uses
an eye in one end (still not "bitter") to re-direct the free end into interlocked
bights formed in further wrapping. (verbally, now : eye wraps around 2/3
object, u-turns forming opposed bight and wraps a full turn to put in an
opposed bight in this 1st bight, then connect through eye and back into
the tight-nipping opposed-bights to finish; haul end both directions!? )
--dl*
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