1.b how the knot is oriented (as I keep emphasizing but
so far w/o the slightest hint that this point is understood
--and one shocking response indicating quite the contrary!),
...
Its not a question of not understanding; its a question of time and energy.
I had chosen to confine my examinations according to the symmetric 'orientation' as shown in my previous posts. You must understand that this is how 90% (or more) of users will tie #1410.
THIS is just such indication that you in fact DO NOT
UNDERSTAND the point at all --your prior remark about
"chirality" was the other : my "orientation" focus has
nothing to do with either chirality or symmetry (by which
you must mean "dressing-without-crossing : pure tracing",
for the knot is
asymmetric).
As for best perspective, hmmm, a *side* one might be
best but for the natural obscuring of much of one S.Part
by its twin on the entry point : but, --maybe w/some graphic
to indicate parts-obscured (e.g., dotted lines)--, by such
perspective it certainly would be perspicuous to show in
one extreme (of the range of variation) the left S.Part
making the backwards loop vs. the right's forward arc
and then vice-versa, and the mid-range "side-arcs" of
the two. And the position of the tails --running roughly
perpendicular to the axis of tension (at extremes) or
parallel (mid-range)-- could be noted verbally or shown
w/cross-section of tails in the perpendicular cases --which
would have them going to or away from the viewer,
in this left-to-right presentation.
Just as a glance at tied shoes can gather a strong hint of
granny / reef by wether bows run perpendicular (reef),
one might deduce likely
offset water knot orientaitons
--esp. the mid-range one.
One more try ... :
In post/reply #56,
owk images are presented
--blue + white ropes.
And here is the series of photos of #1410 (Offset overhand bend) showing different rope diameters.
Photos show orientations/positions of the smaller rope relative to the larger rope.
...
Mark G
I'd describe the orientation shown in image #2 as being
roughly mid-way between the perpendicular- & parallel-tails
positioning, which is thus nearer the extreme of the range
where the blue rope makes the backwards
loop and the
white the forwards
arc --which would be reached if one
were to reach to the shown knot and rotate its nub --just
a little-- viewed-side rightwards, bringing the tails to point
AT the viewer (& perpendicular...).
Rotate the nub just a little the opposite way,
and the tails swing to lie parallel above the left/blue rope,
and both S.Parts make a "
side arc" : jointly upwards,
and THEN curving ... .
Rotating it further in this direction will swing the tails
away from the viewer and thus put a forwards
arc in the blue, backwards loop in the white.
All of the above done w/o re-tying or re-dressing the knot
--just having it oriented some way when setting it (or after
a lesser setting qua stopper knot,
loading it qua end-2-ender).
These are not things obtainable from one position
using a mirror reflection to make another.
Reflect #56's image and the blue rope STILL makes
nearly a backwards loop, etc. --that doesn't change.
But the re-orientation I describe does change things;
to what degree it affects behavior is an open question.
This is like a dancer doing the splits fore/aft, facing the
audience --right leg fore, say--;
and then while still also facing the audience, another
(or same, with movement to effect ...) dancer has
the left leg forward.
More to the knot case, let both dancers be bending leftwards
supported by left arm, right raised in graceful harmony.
.:. Their split legs stand in different orientations to this.
(We could add a third, legs split left & right, and she too
leaning leftwards.) The commonality in all these dancers
is orientation of waist & above --torso & arms--; their
differences lie in the position of their legs.
One might expect different torsions & muscular strains
& uses among them.
And in an analogous view, I think that those "ARJ kinots"
(offset end-2-end knots) should be examined for possible
effects/influences of such variation. (Even just to learn ...
and without real chance of finding significance, given that,
again, the infamous
offset water knot ("EDK") has endured
so much successful usage[*1].)
--dl*
====
[*1] I believe I voiced this conjecture previously somewhere
among our deliberations on this forum ("this" = "IGKT", not
so surely/narrowly "Practical"),
but when Agent_Smith presented/discussed/tested the
offset
fisherman's knot --which had been tested in a backed-up variation
by Jost Gudelius (which he initially misnamed "triple fisherman's")--,
it occurred to me that
perhaps the partial untying and then
reconsidered re-tying of the supposed
EDK (by the fellow in
the trio where "Karen", 2nd to abseil, had the knot spill and she
suffered a fall) resulted in not the
EDK but this
offset fish.--it's just possible to go wrong and get this similar-looking,
inferior-performing knot!?
And this is the lone? case I can think of where the behavior has
been cited as dubious. (But perhaps there are others, at least
where the users are fairly sure that the knot's tails at the end
of rappelling were shorter than at the start --indicating some
rolling!?)