Author Topic: TRANSPOSITION (exploring the concept)  (Read 1040 times)

agent_smith

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TRANSPOSITION (exploring the concept)
« on: September 28, 2024, 01:42:28 AM »
NEW TOPIC THREAD   TRANSPOSITION

I had introduced the term 'transposition' to describe a condition where the S.Part(s) and Tail(s) have changed identities.

In a transposition, the geometry of the core of the knot remains unchanged (ie the geometric configuration of the core remains unchanged - ignoring the effect of load).
Here I use the word 'core' (in lieu of nub) to denote the part of a knot that is central or principal to its existence or character.

A good example of a transposition is in relation to Ashley #1047 Figure 8 eye knot.
When we speak of a transposition, it can only have meaning if it is relative to something.
With respect to #1047 F8 eye knot, you need 2 F8 eye knots side-by-side, and then you show which segments have been transposed.
It is theorised that in one orientation of a F8, there is better resistance to jamming (I had shown this in another topic thread).

Refer to attached image below for general outline of concepts.

per Dan Lehman:
Quote
(Interestingly, the Reverse of the Fig.8 EK changes the
Interior/Exterior loading --S.Part & Tail being opposite in this.)
For the e2e Joint, "reverse" = "Tail-loaded",
but not for Eye Knots.
When you say "reverse of the Fig 8 eye knot" - this has no meaning.
Your statement can only have meaning if it is relative to something.
You need to show 2 F8 eye knots side-by-side where one version is the transposition of the other.
I have already done this in another topic thread.

With regard to your comment:
Quote
For the e2e Joint, "reverse" = "Tail-loaded",
but not for Eye Knots.
Again, the word 'reverse' implies a transposition (where the geometry of the knot core does not change).
And your comment; "but not for Eye Knots" - not sure what you mean?
Words have meaning - but there needs to be context/images something that is relative to assist in understanding.
In a #1047 F8 eye knot, there are different ways to tie it.

Note: It is possible to tie and use an F8 so that it has 2 S.Parts.
In fact, Ashley at illustration #1047 does not show a tail!
He shows his F8 with 2 S.Parts (dual leg loading).
Obviously, we also know that an F8 eye knot can have single leg loading (climbers do this routinely).

Therefore, in the case of an F8 with dual leg loading (ie 2 S.Parts), a transposition would make no sense!
The transposition can only make sense where an F8 eye knot has one (1) S.Part.

Interesting point:
With respect to #1415 Double Fishermans bend, the transposed version is completely unstable.
Transposing the S.Parts with the tails results in a knot that pulls apart.

EDIT 1 (additional images and text)
I have added some images of #1010 Simple Bowline (with tail tuck).
The great Xarax long ago showed us that most 'Bowlines' can be made 'TWATE' with
a simple tail tuck through the collar.
TWATE (Tiable Without Access To an End).

EDIT 2
I have added the Simple #1010 Bowline (no tail tuck).
Showing a transposition... although it is completely unstable.
I am showing it for purely academic reasons.
This is an example where a transposition results in something unstable or illogical.
« Last Edit: October 01, 2024, 02:35:37 AM by agent_smith »

Dan_Lehman

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Re: TRANSPOSITION (exploring the concept)
« Reply #1 on: September 29, 2024, 09:55:53 PM »
NEW TOPIC THREAD   TRANSPOSITION
per Dan Lehman:
Quote
(Interestingly, the Reverse of the Fig.8 EK changes the
Interior/Exterior loading --S.Part & Tail being opposite in this.)
For the e2e Joint, "reverse" = "Tail-loaded",
but not for Eye Knots.
When you say "reverse of the Fig 8 eye knot" - this has no meaning.
Your statement can only have meaning if it is relative to something.
You need to show 2 F8 eye knots side-by-side where one version is the transposition of the other.
I have already done this in another topic thread.

With regard to your comment:
Quote
For the e2e Joint, "reverse" = "Tail-loaded",
but not for Eye Knots.
Again, the word 'reverse' implies a transposition (where the geometry of the knot core does not change).
And your comment; "but not for Eye Knots" - not sure what you mean?
Words have meaning - but there needs to be context/images something that is relative to assist in understanding.
In a #1047 F8 eye knot, there are different ways to tie it.

Why did you omit (reading & comprehending, apparently)
copying my entire statement, which begins exactly with
my definition you so want --to wit :
Quote
For an EyeKnot, I define "reverse" to swap the loadings of
each of the 2 pieces in the 2-Tangle
, after cutting apart the loop
  (well, my *Tangle* never connected it and joining
    the old S.Part & Tail),
and thus the 1-2 piece will shift from 100%-&-50% to 50%-&-100%,
and the A-B piece likewise goes from 50%(RELeg) -&- 0%.
(Interestingly, the Reverse of the Fig.8 EK changes the
Interior/Exterior loading --S.Part & Tail being opposite in this.)
For the e2e Joint, "reverse" = "Tail-loaded",
but not for Eye Knots.


--dl*
====

agent_smith

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Re: TRANSPOSITION (exploring the concept)
« Reply #2 on: September 29, 2024, 11:05:44 PM »
To Dan:
Take a breath... no conspiracy here.
The last part of your commentary in the previous post appeared
to contradict the first part (" but not for eye knots").

The same can be seen with your apparent irritation with my
use of the phrase "counter claim".
The word "counter" is not conspiratorial.
It simply means that Alan made an original claim - and then
you also made a claim. This is where the word "counter" means
to rebut or contradict a previous claim.
That is, Alan made a claim of originality.
You then stated that you had discovered the knot prior to Alan.
How are people supposed to interpret this?
(as you point out, there are no awards or ceremonies for knot discoveries!).
I would comment that there are some people in this forum who do
believe in the concept of originality and see no harm in acknowledging
that a particular person claims title to discovery.

Also in this topic thread (which I started) - the theme is transposition.
In my view, the term transposition is more precise and meaningful than "reversal".

Reversal could be taken to mean a physical exchange of position or some
may interpret it in other ways depending on subject matter.
The word reversal could also be problematic in discussions about chirality.

Transposition - for me - means no alteration of the core geometry.
Key to understanding is the change of identity, without
disturbing the core geometry.

...

NOTE:
A transposition can occur with End-to-End joining knots ('bends'),
and it can also occur with Eye knots (ie 'loop knots').
A transposition is not limited to End-to-End joining knots alone.

...

BACK ON TRACK

TRANSPOSITION OF CARRICK BEND (Ashley #1439)

What happens in a transposition of the Carrick bend?
Is the resulting transformation equally stable as the original form?
(NOTE: A Carrick bend undergoes transformation when tied in the typically depicted way,
which is a 'dressing state' that is unstable).
For example, see this link for a typical tying method: https://www.animatedknots.com/carrick-bend-knot

Of course, we can tie a Carrick bend directly using #206 Crossing hitches.
« Last Edit: September 30, 2024, 03:21:45 AM by agent_smith »

Dan_Lehman

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Re: TRANSPOSITION (exploring the concept)
« Reply #3 on: September 30, 2024, 10:33:36 PM »
The last part of your commentary in the previous post appeared
to contradict the first part (" but not for eye knots").
But it actually points do a difference between the act
and effect :: that "Reverse (e2e)" gets same result/knot
as "Tail-load (e2e)", but not so for Eye Knots (where the
Reversal gives 2-v-1+B and Tail-loading gives B-v-2+A
--the Tail "B", swapped in for former S.Part "1").

Quote
The word "counter" is not conspiratorial.
It simply means that Alan made an original claim - and then
you also made a claim. This is where the word "counter" means
to rebut or contradict a previous claim.
That is, Alan made a claim of originality.
You then stated that you had discovered the knot prior to Alan.
How are people supposed to interpret this?
Yes, but I exactly did neither; rather, YOU have taken
these notes of facts as in a contest for prize *FIRST!*,
whereas we have merely passed along notes about our
travels in the Knot Universe --for which information
about our aims & pathways can be of interest.

Quote
Also in this topic thread (which I started) - the theme is transposition.
In my view, the term transposition is more precise and meaningful than "reversal".
In such technical discussion key terms are defined.
("transposition" has ample generalities too --and esp.
 re altering physical positioning.)

Quote
The word reversal could also be problematic in discussions about chirality.
But those familiar with the concept of chirality would
have trouble with your recent images of a BWL tied
beside its mirror image with claims of differing chirality
when a savvy knot tyer fines one in a line with ends
out of play and yet transposes it into the other
--which chiral knots can't do!

Quote
NOTE:
A transposition can occur with End-to-End joining knots ('bends'),
and it can also occur with Eye knots (ie 'loop knots').
A transposition is not limited to End-to-End joining knots alone.
I think this is said re my "but not for Eye Knots";
I hope that that misunderstanding is now erased.

--dl*
====

agent_smith

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Re: TRANSPOSITION (exploring the concept)
« Reply #4 on: October 01, 2024, 02:19:40 AM »
Quote
Quote from: agent_smith on September 29, 2024, 11:05:44 PM
The last part of your commentary in the previous post appeared
to contradict the first part (" but not for eye knots").
Quote
Quote from Dan Lehman: But it actually points do a difference between the act
and effect :: that "Reverse (e2e)" gets same result/knot
as "Tail-load (e2e)", but not so for Eye Knots (where the
Reversal gives 2-v-1+B and Tail-loading gives B-v-2+A
--the Tail "B", swapped in for former S.Part "1").

Word salad :)
Cause and effect?
Also, I had previously stated that I prefer to begin with an end-to-end joining knot,
and use that as a base from which to derive the corresponding eye knots.
I find it more logical and intuitive to adopt this approach.

One can of course begin with an eye knot, and then try to derive the
corresponding 'bends'. However, it is less intuitive and results in more
possible pathway variables.

Note that Double Fishermans bend (Ashley #1415) does not fare so well
in a transposition.


Obviously, I dont like the use of the term "reverse" or "reversal" in lieu of transposition.
I am of the view that 'reverse' leaves open too many edge cases and ambiguities.
The term 'transposition' locks the concept down nicely for me.

...

You have made it clear that you don't believe in prizes, awards, ceremonies,
academy awards, fanfare, or recognition, for making a new knot discovery.
That's fine.
I am of the view that there are some dedicated knot tyers who do believe in the merits
of awarding recognition of achievement.
Why don't you make a counter claim against all yChan's knots?
I reckon he will bark at you faster than you can say "counter claim"  :)

Quote
But those familiar with the concept of chirality would
have trouble with your recent images of a BWL tied
beside its mirror image with claims of differing chirality
when a savvy knot tyer fines one in a line with ends
out of play and yet transposes it into the other
--which chiral knots can't do!
The great Xarax reminded me that in all of the technical posts,
that I make, I have an audience of one (1)!
The word salad that you and I engage in pops up on virtually no one's radar screens.
Its just two knot geeks engaging in deep technical dives that interest very few people.

With regard to your comment above:
But those familiar with the concept of chirality would
have trouble with your recent images of a BWL tied
beside its mirror image with claims of differing chirality

I of course disagree.
There was nothing technically wrong with the images of simple Bowlines (#1010)
that I posted previously.
I showed #1010 Simple Bowline in both 'S' and 'Z' chirality.
I also showed the transposed images.
I drew a red line to clearly separate the differing chiralities.

The key concept is that the core of the knots do not change.
I use the term 'core' to denote the part of the knot that is central to its existence or character.
The chiralities shown were correct (one shown as 'S' and the other as 'Z').

Look - Dan - the fact is that most of this info is rarely (if ever) discussed or published.
With all of my work in relation to chirality, transposition, and correspondence between knots, it is
largely breaking new ground.
Whenever you break new ground, expect teething troubles.
Harry Asher briefly touched on some of these topics - but he never explored it in deep
technical detail. He only 'dipped his toes into the water' so to speak...

Quote
I think this is said re my "but not for Eye Knots";
I hope that that misunderstanding is now erased.
Well yes and no.
Its still a word salad :)
What you might have meant is this:
[ ] End-to-end joining knots usually tolerate a transposition (loading does not flip the knot - there is no 'eye' to flip)
[ ] Eye knots generally don't fare too well in a transposition (the 'eye' will be wrenched and loaded in an opposite direction).
This is where the use of the term 'reversal' can be complicated.
Although again, the Double Fishermans bend (Ashley #1415) doesn't tolerate a transposition.
« Last Edit: October 01, 2024, 02:21:59 AM by agent_smith »

KC

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Re: TRANSPOSITION (exploring the concept)
« Reply #5 on: October 01, 2024, 11:08:28 AM »
To me it has always been as like input/outputs reversed to same sum/or a 1way if not.
i also look at it like a reverse polarity of +/- ;
>>whereby the input is positive and the terminal as ground negative.
>>or antennae/force catcher to ground anchor termination type travel.
.
But must be of linear force inputs thru SPart, after witch force typically degrades via friction along travel of input to output.
But NOT of radial force inputs of radial binding, whereby force input is to side of rope and equivalent around
(vs. more typical end input of linear forces for Hitch and Bend then on degrading force travel onto round host).
Radials don't degrade force as travel around host until crossing nips.
.
Linear vs. Radial input, output, travel always makes big difference.
Linear force is focused to port thru 1 axis.
Radial is NOT focused, but rather radial is evenly dispersed to all axises by extreme contrast.
Thus radial can be folded , funneled , focused to 1 axis as increase
>>but linear diluted, dispersed from focused to dispersed.
Hand crank winch is radial dispersed focused into linear
>>lock crank to become single layer rope on drum can be bollard of focused linear input dispersed to radial.
« Last Edit: October 02, 2024, 01:27:09 AM by KC »
"Nature, to be commanded, must be obeyed" -Sir Francis Bacon[/color]
East meets West: again and again, cos:sine is the value pair of yin/yang dimensions
>>of benchmark aspect and it's non(e), defining total sum of the whole.
We now return you to the safety of normal thinking peoples

agent_smith

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Re: TRANSPOSITION (exploring the concept)
« Reply #6 on: October 02, 2024, 07:02:57 AM »
per KC:
Quote
i also look at it like a reverse polarity of +/- ;
Yes, I too had originally considered the descriptive term "reverse polarity".
But then decided on a singular word: Transposition (one word instead of two words).

Conceptualising as a reversal of polarity might help some in understanding.

Dennis Pence

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Re: TRANSPOSITION (exploring the concept)
« Reply #7 on: October 03, 2024, 07:40:31 PM »
Mark,

I agree that for a terminal knot or most eye knots, where there is one rope, one standing part, and one free (or working) end, it makes sense to talk about the transposition.  But for a bend, there are two ropes, two standing parts, and two free ends.  You can transpose one rope but not the other to get what is usually called an offset bend.  Then you can transpose the second rope but not the first to get a possibly different offset bend.  Or you can transpose both ropes (which is what you seem to be doing).  Here is the process for the Water Knot (or Ring Knot) [#296, 1412].  I think Ashley intends the one I have first, but neither of his diagrams makes it very clear.  He also has diagrams for the Offset Overhand Bend (which he calls an Overhand Bend) [1410, 1557, 1558].  Here as for the Figure Eight Eye Knot, the two non-offset bends will have different loading properties.  I cannot see any real difference between the two offset bends below.
« Last Edit: October 03, 2024, 08:02:12 PM by Dennis Pence »

Dan_Lehman

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Re: TRANSPOSITION (exploring the concept)
« Reply #8 on: October 03, 2024, 09:28:01 PM »
Well yes and no.
Its still a word salad :)
What you might have meant is this:
[ ] End-to-end joining knots usually tolerate a transposition (loading does not flip the knot - there is no 'eye' to flip)
[ ] Eye knots generally don't fare too well in a transposition (the 'eye' will be wrenched and loaded in an opposite direction).
This is where the use of the term 'reversal' can be complicated.
No, I only pointed to my definition of "reverse" to do
something to an e2e Joint that was same as Tail-loading;
but with an Eye Knot, those, um, acts(?!) give different
results.  (each piece in the Joint goes from 100% & 0%
resp. of its ends to then 0% & 100%; in the EK, it's
100% & 50% <-> 50% & 100% for S.Part's piece;
which in Tail-Loading becomes 0% --Tail takes the 100--
& 50% (same outgoing role, coupled w/RELeg).
Tolerance of such changes is a separate matter.


--dl*
====

agent_smith

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Re: TRANSPOSITION (exploring the concept)
« Reply #9 on: October 04, 2024, 12:19:04 AM »
Hello Dennis.
Thank you for your reply and interest in tis subject matter.
All of this is largely breaking new ground - there is very little
existing published material about the concept of 'transposition'
or to put it another way "reversal of polarity" (per KC).

Some replies to your comments as follows:
Quote
But for a bend, there are two ropes, two standing parts, and two free ends.  You can transpose one rope but not the other to get what is usually called an offset bend.
No - this is not universally true for all 'bends'.
The Zeppelin bend and the Riggers bend (Ashley #1425A) do not produce any 'offset' geometries.
Although you did say "usually" - I think you are possibly confining your self to one knot form (Ashley #1412 Water knot / Ring bend).
I can think of other 'bends' that don't fit the "usually" remark.
eg Carrick bend (either in its energy stable dressing state consisting of inter-linked Crossing hitches OR its pre capsized dressing state).
Butterfly bend is interesting, there is an offset knot that is produced from a transposition.

Quote
Then you can transpose the second rope but not the first to get a possibly different offset bend.  Or you can transpose both ropes (which is what you seem to be doing)
I'm not really doing anything per se.
I'm simply exploring the concept of transposition.
I'm sure that you'll be able to find 'edge cases' to support any claim you wish to make.
And thats fine.

Referring to your original image (see attached) which I've borrowed for this post:
* B is a full/complete transposition of A (and vice versa).

* C is not a full/complete transposition of A (It is a partial transposition).

* D is not a full/complete transposition of A (it is a partial transposition).

Important concepts:
1. A transposition can only have meaning if it is relative to something (a base/parent knot).
2. It needs to be specified exactly what is being transposed.
3. 'Normally', a transposition will involve the 'reversal of polarity' of all protruding rope segments (ie a holistic transposition).
(here again I've borrowed the reversal of polarity concept from KC).
4. There is no requirement for a transposed knot to become 'offset'.
5. The cores of all transposed knots remain identical in geometry to the 'parent' structure.

Although again - there is no existing body of peer reviewed work that I can draw from (or source).
Thats because there is no existing body of work that explores the concept of transposition.
There is nothing 'wrong' with partial transpositions!
And there is nothing wrong with full (holistic) transpositions either!

I am using the term 'core' to denote the part of the knot that is central to its existence or character.

Dennis Pence

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Re: TRANSPOSITION (exploring the concept)
« Reply #10 on: October 07, 2024, 08:41:09 PM »
Mark,

Here is another example of the four different bends that you might get.

I started with one of the bends A that Asher had suggested could be derived from an Angler's Loop [#1035].  {I do not understand what he intended to be the second bend in his book, "The Alternative Knot Book," p. 82.}  The first diagram below is the Angler's Loop, and if you cut it at the red line, you get the bend A.  Then if you transpose only the shaded rope, you get a transposition from A-B.  If you transpose only the unshaded rope, you get the transposition from A-C.  Finally, if you transpose both ropes, you get the transposition from A-D.

The two in the middle (B, C), that I think of as somewhat "offset," seem to flip some as you try to tighten them, but they still seem to hold.  I am not sure how practical any of the four are as a bend.
« Last Edit: October 07, 2024, 08:41:56 PM by Dennis Pence »

agent_smith

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Re: TRANSPOSITION (exploring the concept)
« Reply #11 on: October 07, 2024, 10:52:43 PM »
Thanks Dennis.

EDIT NOTE:
Your post has more to do with the relationship between 'bends' and 'eye knots' (aka loop knots).
And so might belong in another topic thread.
However, with regard to your attached image in reply #10 above:
[ ] 'D' is a transposition of 'A' (and vice versa)
[ ] 'B' is a partial transposition of 'A'
[ ] 'C' is a partial transposition of 'A' (and would be 'offset' when loaded)

With regard to your attached image in reply #10 above, you are beginning
from an 'eye knot' and then working 'backwards' to derive the corresponding 'bends'.
This is the approach Dan Lehman appears to prefer (I think).

I find this approach to be less intuitive.
Although, its a free world, and we are free to examine the
relationship between 'bends' and 'eye knots' in any way we choose.

With regard to your attached images of #1035 Anglers loop,
"A" is the parent bend.
When starting from "A", you can then derive its 4 corresponding eye knots.

There are some possible 'offset' 'bends' that are derived.
(although again, 'offset' is not a required condition for all knots in the universe).

EDIT NOTE:
Again, the Zeppelin bend and Riggers Bend (Ashley #1425A) produce nothing 'offset'.
Some of the corresponding eye knots are quite good in my opinion.
Although Xarax will likely admonish me for 'liking' one of the principal corresponding
eye knots derived from the Zeppelin bend.
Two of the corresponding eye knots derived from the Riggers bend are quite good.

A further note with your approach of beginning with an 'eye knot' and deriving its
corresponding 'bends' - you can predict when some of the 'bends' will be 'offset'
just by looking at the geometric arrangement of the protruding segments.

« Last Edit: October 10, 2024, 05:16:31 AM by agent_smith »

KC

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Re: TRANSPOSITION (exploring the concept)
« Reply #12 on: October 08, 2024, 11:48:34 AM »
It is best to see such things both ways, forwards and backwards thru models for most perspective(s).
Also, as checksum; as shows at once, both sides of coin to test in balance against the other.
.
An eye knot comes back to itself as if another rope bending to itself; under the same rules.  Not terminating at host but around.
.
i see a lot of rope paths as like electronic schematic symbols, at a force is force depth look.
schematic resistor symbol as rope friction, ground symbol as anchor/rope force termination, transformer for pulley system etc. 
(2016)
.
"Nature, to be commanded, must be obeyed" -Sir Francis Bacon[/color]
East meets West: again and again, cos:sine is the value pair of yin/yang dimensions
>>of benchmark aspect and it's non(e), defining total sum of the whole.
We now return you to the safety of normal thinking peoples

agent_smith

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Re: TRANSPOSITION (exploring the concept)
« Reply #13 on: October 10, 2024, 05:26:33 AM »
Thank you 'KC'.
Your graphic images are always high quality (a lot of work goes into it).

With regard to the intent of this topic thread ("Transposition"), I'm
not sure how your electrical diagram directly contributes to, and furthers
the exploration of this subject matter?

Although, I did adopt your idea of "reversal of polarity".
This is a very good way of explaining what is happening in knots
that have been 'transposed'. Most people can immediately grasp
the meaning of this concept and apply it to a knot.

I note that your electrical analogy diagram did not include
"reversal of polarity". If you had such a diagram, it would
be more directly relevant to this topic.

KC

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Re: TRANSPOSITION (exploring the concept)
« Reply #14 on: October 13, 2024, 08:29:00 PM »
TY Agent Smith, so sorry only meant to show the whole theme of electric wire force and tensioned rope force goes deep.  i find many relative points of comparison in a force is force view, wider than this specific reference.  A real goldmine sometimes in fact.
.
My constant imagery of a reverse of polarity in a system is to do so physically, like to swap ends of jumper cables to battery.
Does it show the same, less, more or not work at all type observations.
Even though of same family of Crossed Turns : Clove and Constrictor are own equivalents backwards, but not Bag(personal fave a lot of times, especially slipped) nor Groundline.  While basic BackHand Turn reverses to accommodate equally to and fro; unless blocked from the flip.
"Nature, to be commanded, must be obeyed" -Sir Francis Bacon[/color]
East meets West: again and again, cos:sine is the value pair of yin/yang dimensions
>>of benchmark aspect and it's non(e), defining total sum of the whole.
We now return you to the safety of normal thinking peoples